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Who we are

With research staff from more than 70 countries, and offices across the globe, IFPRI provides research-based policy solutions to sustainably reduce poverty and end hunger and malnutrition in developing countries.

Danielle Resnick

Danielle Resnick is a Senior Research Fellow in the Markets, Trade, and Institutions Unit and a Non-Resident Fellow in the Global Economy and Development Program at the Brookings Institution. Her research focuses on the political economy of agricultural policy and food systems, governance, and democratization, drawing on extensive fieldwork and policy engagement across Africa and South Asia.

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What we do

Since 1975, IFPRI’s research has been informing policies and development programs to improve food security, nutrition, and livelihoods around the world.

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Where we work

IFPRI currently has more than 480 employees working in over 70 countries with a wide range of local, national, and international partners.

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For nearly two decades, Indian television offered a lifestyle that was aspirational yet fantastical. The characters lived in mansions but worried about problems rooted in archaic family dynamics. However, the influx of OTT platforms (Over-The-Top media services) like Netflix, Amazon Prime Video, and Disney+ Hotstar triggered a paradigm shift.

On the one hand, this content represents a democratization of storytelling and a rebellion against censorship. For decades, Indian audiences had limited access to content that depicted adult themes honestly. The rise of these OTT platforms has been seen by some as a victory for creative freedom, offering a space to explore the "intricacies of human relationships" in a way that traditional media could not. It has also provided a platform for grassroots and regional narratives, moving beyond the polished, urban settings of mainstream Bollywood. This shift is part of a broader "democratization of content, where creators can bypass traditional gatekeepers and directly reach audiences hungry for diverse, often provocative, stories". The characters lived in mansions but worried about

Unlike the traditional CBFC, this system relies heavily on self-regulation, requiring platforms to classify their content into age-appropriate categories (U, U/A 7+, U/A 13+, U/A 16+, and A for Adults). It also mandates robust parental locks and grievance redressal mechanisms.

The success of pioneers like Ullu and ALTBalaji has paved the way for a host of other niche OTT services, each trying to capture a piece of this growing market.